current:
miejsce, a place, galleria foksal, warsaw, poland
, 9.19.2016 - 11.18.2016
no minority should climb all over the majority,
2016digital images on satin, pvc, masking tape, gaffers tape.
original proposal, digital rendering.
tadeusz kościuszko, (krakow and detroit), digital images on satin.
installation included in group exhibition "miejsce, a place", galleria foksal, warsaw, poland.
wicked garden,
2016 i i already bought the dream, gaffer tape on floor.
count every vote (black); every vote counts (white), plastic chain.
capital, vinyl letters on coro-plast, light box.
trying to get over, magazine page (frieze); you go forward i go backward somewhere we shall meet, cotton bandanas.
the crypt is at the end, digital print on vinyl with cutouts.
empty words, magazine pages (artforum).
i already bought the dream, gaffer tape on floor.
erasure, latex paint on VHS tape cartridges.
skull fucker, ink, vinyl sticker on found advert and coro-plast.
solo exhibition installation view, five points gallery.
blast,
2016 untitled (1061744), (L), untitled (1196491), (R), 48" x 48", ink on tyvek.
untitled (10241193687), (L), untitled (1192828), (R), 48" x 48", ink on tyvek.
installation view, (L), untitled (10241061733), (R), 12" x 12", ink on paper.
untitled (1195132), (L), untitled (10241195130), (R), 12" x 12", ink on paper
solo exhibition, ebk gallery, hartford, ct.
double down,
2015
digital video w/sound. solo exhibition, sell me down the river, real art ways, hartford, ct.
3 pieces,
2015 the dark is the light, 2015, colored duct tape on floor.
thirteenth step, 2015, colored duct tape on floor.
time out of mind, 2012, colored duct tape on floor. group exhibition borawski-fusigna-roleke, space B, brooklyn, ny.
statement
i am inspired by the pivotal social and political events that have shaped our world. i make work that is a conceptually driven investigation of these ideas and their impact upon everyday life.the work is presented in installations that combine multiple individual pieces (sculpture, video, photography, painting, drawing), arranged within the proscribed space to form provocative visual and intellectual layers.some pieces may be revisited and revised within a new exhibitiion. the original subtext is brought into the mix and then reacts to the new arrangement.
the pieces employ suggestive titles and visual references, (rock and roll song lyrics, sexual inuendo, art history, industrial design), which draw upon sub/conscious nostalgia as a means of stimulating multiple readings. positioning the work within this cognitive framework allows for it to reflect on current and historical events from several different perspectives.
skull fucker, ink, vinyl sticker on found advert and coro-plast.
